Finding the Architectural Pattern of Chinese Mosques (Case Study: The Great Mosque of Xian)

Document Type : Original Research Article

Authors

1 Ph.D. Student in Architecture, Faculty of Architecture, College of Fine Arts, University of Tehran, Iran.

2 Ph.D. in Architecture Conservation, Art University of Isfahan, Iran.

Abstract

The land of China has always been one of the main civilizations of the East. This country has never been part of the Muslim realm or even had a government with the Islamic religion. However, from the beginning of the formation of Islamic civilization until today, Chinese Muslims have had a special place, such as masque. Architecture is one of the most prominent relics of human civilization, and in this regard, valuable works have been created in Chinese Muslim civilization. There is a question here that where has the architectural model of Chinese mosques come from, considering the civilization that Muslims have created through economic or cultural relations leading to the transmission of Islam and the formation of Chinese mosques; To answer this question, one of the perfect examples of Chinese Mosques called the Great Mosque of Xian has been reviewed. In the present study, to discover the architectural pattern of this mosque, the characteristics of the early Islamic mosques and the pre-Islamic architecture of China have been compared. The present article is based on the premise that the architectural model of Chinese Mosques has been derived from its ancient temples. The adopted research method is a case study analysis, and interpretations are based on the features of the selected sample of ‘Medina Mosque’, from the early Islamic mosques, and the ‘Confucius Nanjing Temple’ from the native architecture of China in pre-Islamic times. The comparative study of the Great Mosque of Xian with early Chinese mosques and temples shows that the architectural pattern of this mosque is derived from the traditional Chinese temples and its influence from Islamic mosques is limited to the building direction the presence of Mihrab, changing the function of traditional architectural spaces and using Islamic architectural scripts in traditional decorations of the target building.

Keywords


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